South London season for critically acclaimed, shameless and subversive theatre/dance production shining a light on domestic abuse
Original, accessible and empowering Barbican hit from endlessly inventive choreographer Rhiannon Faith returns to London for Ovalhouse season 1 – 16 March. ‘I only make shows if something makes me angry’
Meet Beverly. You’re invited to her party. Like most parties there’ll be fun and games, drinks, shared conversations, popcorn and energetic dancing. But this party has a darker side and genuine heartbreaking moments as Beverly bravely gives a raw and honest account of surviving an abusive relationship.
One in four women experience domestic abuse in their lives. Smack That (a conversation) by theatremaker and choreographer Rhiannon Faith shines a light on this complex subject. In 2018 the show sold out a week-long run at The Barbican and a short UK tour. It was recently shortlisted for the Innovation in Dance category in the inaugural One Dance UK Awards. The show returns to London for a season at Ovalhouse from 1 to 16 March 2019 and will tour the country in April, May and June.
Smack That (a conversation) features an all female cast of seven who all play Beverly. They are a close-knit group made up of non-performers and experienced dance and theatre artists. Each has their own personal experience of domestic abuse and they convey the turbulent, real life experiences of domestic abuse that Beverly, and they, have endured and survived. The party setting creates a safe space for them to reveal the challenges they have faced and to celebrate their resilience with the audience.
‘raw, eloquent with a final note of hope’ Luke Jennings, The Observer
Stories of abuse intertwine with party games and energetic dance routines to create a powerful, moving and unashamedly entertaining piece of theatre. The fun, upbeat party setting allows these voices to be heard without prejudice and where marshmallows and party poppers readily mix with refuge contact information.
‘dance, participatory theatre and awareness-raising in one welcoming package … a party game to help change the world’ ★★★★ The Guardian
Rhiannon said ‘The idea for the show has been with me for years from seeing the experiences and hearing the stories from friends and family and others who felt OK talking privately but lacked the confidence to talk publicly about what they had been (or still were) going through. A lot of dance is there to decorate the world, which is lovely but I am more there to change the world. I only make shows if something makes me feel angry.’
‘Inventive and demanding immersive dance-theatre … a work of urgent importance.’ ★★★★ The Stage
Crucially, Smack That (a conversation) is based on authentic stories told through the voices of survivors of domestic violence and abuse. It seeks to raise awareness of domestic abuse and move the conversations from private to public.
The show is designed to support women and encourage them to talk openly about their experiences. It is underpinned by Rhiannon’s work with a support group at Safer Places, the independent charity that provides services to adults and children affected by domestic and sexual abuse.
In the UK police receive a complaint about domestic violence every 60 seconds.
One in four women experience domestic abuse in their lives.
On average a woman is assaulted 35 times before she receives help.
750,000 UK children witness domestic abuse or violence each year.
The impact of domestic violence costs the UK £15.7 billion annually.
In England and Wales one woman is killed by their partner, or ex-partner, every three days.
‘The creative process required a great deal of vulnerability and trust’ added Rhiannon ‘I knew that before I could create this show I had to be totally sure that we would be able provide proper care and support for my Bevs’. During the creation process there was regular support for the team from psychologist Joy Griffiths, who is also available to the audience during and after all performances.
*Age 16+ The show raises themes of an adult nature, sexual violence and domestic abuse. Runs 80 minutes (no interval).